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"The Talented Poststructuralist: Heteromasculinity, Gay Artifice, and Class Passing." In: Masculinity: bodies, movies, culture / edited by Peter Lehman. "Pussy galore: lesbian images and lesbian desire in the popular cinema." In: The good, the bad and the gorgeous: popular culture's romance with lesbianism / edited by Diane Hamer and Belinda Budge. Where Altman sees this lack of representative depiction as a failing, this article operates from a different basic understanding of the nature and function of cultural representation. It studies five films, the women perform their femaleness and their queerness both offstage and on, creating a new kind of female filmic spectacle"--Provided by publisher. Culture and the moving image "Queer Male Cinema and Feminism." In: Women and Film: A Sight and Sound Reader. Altman also notes in reference to "The Wedding Banquet," the representation of these emergent Asian gay communities is itself notably lacking in these films.Watching particular films with this "queer diasporic viewing practive," sex/gender play which is normative (yet still coded) in the land of the films' production can be reclaimed as queer through the differently subjective lens of transnational spectatorship, a lens removed from patriarchy, sexism, and homophobia.This particularly becomes apparent in the Bollywood dance sequence--the frequent site of Hindi sex/gender play--whose coded queer desires are much easier to de-code (or re-code)when in the diaspora." [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678. (includes related information on four films with a gay theme)." Time v147, n11 (March 11, 1996):66 (3 pages). 335 Author's Abstract: COPYRIGHT 2000 Haworth Press, Inc. ""A treatise on decay" : liberal and leftist critics and their queer readings of Depression-era U. film." In: Looking past the screen : case studies in American film history and method / edited by Jon Lewis and Eric Smoodin. "Screening Lesbians." In: The New Lesbian Studies: Into the Twenty-First Century / edited by Bonnie Zimmerman and Toni A. He goes on to explore viewers' behavior inside the porno-arcade/theater, arguing that the exhibition of gay pornography makes possible a space in which dominant forms of sexual subjectivity can be (re)produced, challenged, countered, and violated." [Art Abstracts] " The Final Frontier: Two New Movies ["Birdcage" and "Celluloid Closet"] Pose the Question, Can't Hollywood Treat Gays Like Normal People? He calls for an analysis of the tactical responses of (homo)sexual subjects to the historical situation of the exhibition of gay pornography. "Erasure and Taboo: A Queer Reading of Bonnie and Clyde." In: Arthur Penn's Bonnie and Clyde / edited by Lester D. He suggests that film studies in the heteronormative academy relies on the practice of close analysis to contain the threat and promise of gay pornography and the space where it is shown.

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London: Pandora, 1994.""Working like a homosexual", camp visual codes and the labor of gay subjects in the MGM Freed Unit." In: Hollywood musicals, the film reader / edited by Steven Cohan. In focus--Routledge film readers."Homo Pomo: The New Queer Cinema." In: Women and Film: A Sight and Sound Reader. It is asserted that these films do not necessarily tell us about the empirical realities of gay lives in East Asian communities, but they do tell us something of what it means to be gay in East Asian cultures. New York: Feminist Press at The City University of New York, 1996."Diaspora sexualities : Asian American queer video in the world system." In: Ghostlife of third cinema : Asian American film and video / Glen M. Minneapolis : University of Minnesota Press, c2009. Benshoff -- The new queer spectator / Michele Aaron. Pictures at an Exhibition." In: Arthur Penn's Bonnie and Clyde / edited by Lester D. He argues that such films signify culturally and socially regardless of whether they are watched or not; how they do this has less to do with their individual content than with a broad range of forces beyond the reach of a discipline dedicated primarily to reading films. London ; New York: Routledge, 1995."Drama Queens: Latino Gay and Lesbian Independent Film/Video." In: The Ethnic Eye: Latino Media Arts. Contreras -- New black queer cinema / Louise Wallenberg -- Nationality and new queer cinema: Australian film / Ros Jennings and Loykie Lomine -- New queer cinema and third cinema / Helen Hok-Sze Leung -- Reception of a queer mainstream film / Harry M. "The writer discusses film studies and gay pornography. 1"Rough Trade: Sexual Taxonomy in Postwar America." In: Re Presenting Bisexualities: Subjects and Cultures of Fluid Desire / edited by Donald E. Queer studies in communication have profoundly neglected the salient forms of sexual and affective relatedness that find expression in the terms of intimacy that are ever-present in "friendship." Flirting against the conservative sexual culture, but flirting among ourselves, popular images of queers in Asia have taken a number of specific forms. In many film and literary representations, we find, again, the centrality of friendship life for offering gay and lesbian youth such an alternative space and relational logic for their tentative, circumlocutory, and often risky explorations.

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